{"id":11408,"date":"2024-11-25T20:06:42","date_gmt":"2024-11-25T18:06:42","guid":{"rendered":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/?page_id=11408"},"modified":"2025-11-08T22:09:02","modified_gmt":"2025-11-08T20:09:02","slug":"volume-4-de","status":"publish","type":"page","link":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/volume-4-de\/","title":{"rendered":"Zeitschrift \u201eGermanistik und Skandinavistik\u201c, Heft 4, 2024"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><nav class=\"fusion-breadcrumbs fusion-breadcrumbs-1\" style=\"--awb-breadcrumb-sep:&#039;\/&#039;;\" aria-label=\"Breadcrumb\"><ol class=\"awb-breadcrumb-list\"><\/ol><\/nav><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:0px;--awb-margin-top:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:25px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><h1>Zeitschrift \u201eGermanistik und Skandinavistik\u201c, Heft 4, 2024<\/h1>\n<\/div><div class=\"fusion-image-element \" style=\"text-align:center;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><a class=\"fusion-no-lightbox\" href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/12\/JournalGermScand.-Volume-4.-2024.pdf\" target=\"_blank\" aria-label=\"Volume 4 digital\" rel=\"noopener noreferrer\"><img decoding=\"async\" width=\"1710\" height=\"2560\" src=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2025\/05\/Volume-4-digital-1-scaled.jpg\" alt class=\"img-responsive wp-image-12597\" srcset=\"https:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2025\/05\/Volume-4-digital-1-200x299.jpg 200w, https:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2025\/05\/Volume-4-digital-1-400x599.jpg 400w, https:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2025\/05\/Volume-4-digital-1-600x898.jpg 600w, https:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2025\/05\/Volume-4-digital-1-800x1197.jpg 800w, https:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2025\/05\/Volume-4-digital-1-1200x1796.jpg 1200w, https:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2025\/05\/Volume-4-digital-1-scaled.jpg 1710w\" sizes=\"(max-width: 800px) 100vw, 1200px\" \/><\/a><\/span><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><div class=\"fusion-separator-border sep-shadow\" style=\"--awb-height:20px;--awb-amount:20px;background:radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-webkit-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-moz-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-o-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);\"><\/div><\/div><div style=\"text-align:center;\"><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/12\/JournalGermScand.-Volume-4.-2024.pdf\"><span class=\"fusion-button-text awb-button__text awb-button__text--default\">Das ganze Heft herunterladen<\/span><\/a><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;width:100%;\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-2\"><p><b>Die einzelnen Beitr\u00e4ge lassen sich durch Anklicken des jeweils verlinkten Titels herunterladen.<\/b><\/p>\n<\/div><div class=\"fusion-text fusion-text-3\"><p><span style=\"font-family: var(--awb-text-font-family); font-size: var(--awb-font-size); font-style: var(--awb-text-font-style); letter-spacing: var(--awb-letter-spacing); text-align: var(--awb-content-alignment); text-transform: var(--awb-text-transform);\"><b>Redakteure des Heftes<\/b><\/span>: Ivan Tenev, Maria Endreva<\/p>\n<p><span style=\"background-color: rgba(0, 0, 0, 0);\"><b>Erscheinungsdatum<\/b><\/span>: 26.11.2024<\/p>\n<p><strong> ISSN<\/strong>: 2815-2867<\/p>\n<p><b>doi:<\/b> <a href=\"https:\/\/journalgermscand.fcml.uni-sofia.bg\/volume-4-bg\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-4\"><h3><b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/12\/1.-Content.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Inhaltsverzeichnis<\/a><\/b> (auf Bulgarisch und Englisch)<\/h3>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-5\"><h3><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/2.-Author-List-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Liste der Autorinnen und Autoren<\/b><\/a> (auf Englisch)<\/h3>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-6\"><h3><a style=\"font-weight: bold;\" href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/3.1.-Foreword.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Vorwort <\/a>(auf Englisch)<\/h3>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-6 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-7\"><h2>SPRACHWISSENSCHAFT<\/h2>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-7 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-8\"><h3><b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/4.-Viktoria-Strandberg.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Kronologi, samtalsstruktur och ompositionering till\u00e4gg till kommunikativa projekt med turinitialt <em>sen<\/em> i tal-i-interaktion<\/a> <\/b>(auf Schwedisch)<\/h3>\n<p><b>Viktoria Strandberg <\/b>Universit\u00e4t G\u00f6teborg (Schweden)<\/p>\n<p><b>doi:<\/b> <a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.14-34\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.14-34<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-1\"><div class=\"fusion-panel panel-default panel-083bbca59e5381081 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_083bbca59e5381081\"><a aria-expanded=\"false\" aria-controls=\"083bbca59e5381081\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-1\" data-target=\"#083bbca59e5381081\" href=\"#083bbca59e5381081\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"083bbca59e5381081\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_083bbca59e5381081\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Swedish syntax normally allows only one constituent before the finite verb in a main clause. This is captured by the so called V2 rule. Main clauses with two constituents before the finite verb are referred to as V3 structures. These are often described as a feature unique to urban vernacular Swedish. In this article, I show that this is not the case. Drawing on Interactional Linguistics, I investigate the interactional function of 206 V2 and V3 structures initiated by the adverb sen \u2018then\u2019 in ten different conversation podcasts. The canonical V2 structure is by far the most common one for sen, but one fifth of all turn-initial sen are V3 structures. Regardless of the syntactical structure, sen always creates an addition to a previously initiated communicative project. In this addition, sen can have three different meaning potentials. First, sen can add to the communicative project chronologically by emphasizing the temporal relations between different events. Second, sen can structure the discourse by dividing a communicative project in smaller parts, without chronological emphasis. Third, sen is used when speakers change their stance on a subject or introduce a counterargument. All three meanings of sen occur in V2, but the chronological meaning is very rare in V3. Initiating V3, sen is mostly used to structure the discourse and tends to be less prominent prosodically. This suggests that sen in V3 behaves much like a conjunctional discourse particle.<\/p>\n<p><b>Schl\u00fcsselw\u00f6rter: <\/b><em>sen<\/em>, Swedish syntax, V3, Interactional Lexicology, talk-in-interaction<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-8 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-9 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-9\"><h3><strong><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/5.-Konstantin-Radoev.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Diderichsens Modell als oberfl\u00e4chliches Linearisierungsapparat f\u00fcr X-bar Grammatiken<\/a> <\/strong>(auf Bulgarisch)<\/h3>\n<p><b>Konstantin Radoev <\/b>Sofioter Universit\u00e4t \u201eSt. Kliment Ohridski\u201c (Bulgarien)<\/p>\n<p><b>doi:<\/b> <a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.35-53\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.35-53<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-10 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-2\"><div class=\"fusion-panel panel-default panel-48ae888d37b291a60 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_48ae888d37b291a60\"><a aria-expanded=\"false\" aria-controls=\"48ae888d37b291a60\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-2\" data-target=\"#48ae888d37b291a60\" href=\"#48ae888d37b291a60\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"48ae888d37b291a60\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_48ae888d37b291a60\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>The article presents a theoretical comparison between the descriptive force of two models of the Mainland Scandinavian sentence (focusing in particular on Swedish and Danish) \u2013 the traditional functional model by Paul Diderichsen, split into a front, center, and final field, and the tripartite generative X-\u0431\u0430\u0440 model, split into a complementiser phrase (CP or CvP for the purposes of the article, also called the contextual phrase f. p. a.), an inflectional phrase (IP or IvP f. p. a.), and a verb phrase (vP or LvP f. p. a.). The text will focus on the left periphery. Based on previous research, the article puts forward the hypothesis that such a comparison could serve as the starting point for the construction of a surface-level linear model of the Bulgarian sentence, similar to the Diderichsen model. Such a model can have potential application as a tertium comparationis in the teaching of Mainland Scandinavian languages to students with L1 Bulgarian, and for foreigners learning Bulgarian as an L2.<\/p>\n<p><b>Schl\u00fcsselw\u00f6rter: <\/b>sentence structure, Diderichsen sentence model, left periphery, Swedish, Danish, Bulgarian<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-9 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-11 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-10\"><h3><strong><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/6.-Maria-Bakalova.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Nina Gr\u00f8nnums Modell der d\u00e4nischen Intonation aus einer autosegmentalen metrischen Perspektive<\/a> <\/strong>(auf Englisch)<\/h3>\n<p><b>Maria Bakalova <\/b>Sofioter Universit\u00e4t \u201eSt. Kliment Ohridski\u201c (Bulgarien)<\/p>\n<p><b>doi:<\/b> <a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.54-71\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.54-71<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-12 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-3\"><div class=\"fusion-panel panel-default panel-83cf2dae3429afdc8 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_83cf2dae3429afdc8\"><a aria-expanded=\"false\" aria-controls=\"83cf2dae3429afdc8\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-3\" data-target=\"#83cf2dae3429afdc8\" href=\"#83cf2dae3429afdc8\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"83cf2dae3429afdc8\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_83cf2dae3429afdc8\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>The purpose of this article is to present an overview of Nina Gr\u00f8nnum\u2019s model of Danish intonation and discuss its central assumptions from the perspective of the autosegmental-metrical (AM) theory of intonational phonology. An attempt is made to outline key differences between Gr\u00f8nnum\u2019s model and AM models, as well as summarize the findings from recent empirical investigations of intonation in Danish spontaneous speech and discuss their implications for phonological modeling. Based on that, the article argues that AM theory is not incompatible with the data for Danish intonation (as has been previously claimed by Gr\u00f8nnum). Rather, it is hypothesized that an AM model for Danish would be able to provide a more accurate account of melodic variation in Danish spontaneous speech.<\/p>\n<p><b>Schl\u00fcsselw\u00f6rter: <\/b>Danish intonation, phonological modeling, autosegmental-metrical theory, accent, stress<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-10 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-13 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-11\"><h3><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/7.-Emilia-Dencheva.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Zu den M\u00f6glichkeiten der Subjektindizierung in komplementierten Infinitivs\u00e4tzen (basierend auf Material aus dem Deutschen und anderen verwandten Sprachen <\/b><\/a>(auf Englisch)<\/h3>\n<p><b>Emilia Dencheva <\/b>Sofioter Universit\u00e4t \u201eSt. Kliment Ohridski\u201c (Bulgarien)<\/p>\n<p><b>doi:<\/b> <a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.72-90\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.72-90<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-14 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-4\"><div class=\"fusion-panel panel-default panel-e99e90feff8576204 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_e99e90feff8576204\"><a aria-expanded=\"false\" aria-controls=\"e99e90feff8576204\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-4\" data-target=\"#e99e90feff8576204\" href=\"#e99e90feff8576204\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"e99e90feff8576204\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_e99e90feff8576204\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Der Artikel befasst sich mit den M\u00f6glichkeiten zur Kodierung des Subjekts von Infinitivs\u00e4tzen in einer Reihe indogermanischer Sprachen. Es gibt Behauptungen, dass Infinitivs\u00e4tze niemals ein eigenes Subjekt haben, sondern dass dieses durch einen Teil des Hauptsatzes impliziert wird. Was Infinitivs\u00e4tze eigentlich nicht haben, ist eine eigene syntaktische Position f\u00fcr das Subjekt. Denn bei ihnen ist die Verbalphrase infinit formuliert und die Kongruenz zwischen Subjekt und Verb kann nicht hergestellt werden. Der Verlust der F\u00e4higkeit des infiniten Verbs zur Rektionskontrolle \u00fcber den Tr\u00e4ger\/Empf\u00e4nger der von ihm ausgedr\u00fcckten Handlung geht jedoch nicht mit einem Verlust der logisch-semantischen Verbindung mit ihm einher. Die Ergebnisse der Studie verdeutlichen, dass diese Relation immer vorhanden ist, d.h. das Subjekt des Infinitivs ist immer referentiell klar. Der einzige Unterschied besteht darin, dass es in den germanischen Sprachen, aber auch in den romanischen und slawischen Sprachen, die einen Infinitiv mit klar definiertem verbalem Verhalten kennen, komplexe Satzstruktruren gibt, deren Infinitivkomplement ein implizites Subjekt und solche, die ein explizites Subjekt enth\u00e4lt. Im ersten Fall handelt es sich um ein PRO-Subjekt, das lexikalisch unterdr\u00fcckt ist und durch eine referentiell identische Subjekt- oder Objektnominalphrase in der \u00fcbergeordneten Struktur (= Antezedenz) signalisiert wird. Im zweiten Fall hingegen scheint das Subjekt des Infinitivs auf morphosyntaktischer Ebene als Konstituent (Subjekt oder Objekt) des Hauptsatzes zu funktionieren, ist aber logisch-semantisch nur mit dem untergeordneten Infinitiv verbunden und wird entsprechend explizit signalisiert. Das sind die sog. <em>aci<\/em>-, <em>nci<\/em>&#8211; und <em>dci<\/em>-Konstruktionen.<\/p>\n<p><strong>Schl\u00fcsselw\u00f6rter:<\/strong> Subjekt des Infinitivs, PRO-Subjekt, implizites Subjekt des Infinitivs, Infinitivkonstruktionen mit explizitem Subjekt, <em>aci<\/em>-, <em>nci<\/em>&#8211; und <em>dci<\/em>-Konstruktionen<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-11 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-15 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-12\"><h2>LITERATURWISSENSCHAFT<\/h2>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-12 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-16 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-13\"><h3><strong><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/8.-Svetlana-Arnaudova.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Judith Hermanns fr\u00fche Erz\u00e4hlungen \u2013 Schilderung subjektiver Befindlichkeiten oder eine kritische Zeit Diagnose?<\/a><\/strong><\/h3>\n<p><b>Svetlana Arnaudova <\/b>Sofioter Universit\u00e4t \u201eSt. Kliment Ohridski\u201c (Bulgarien)<\/p>\n<p><b>doi:<\/b> <a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.92-107\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.92-107<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-17 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-5\"><div class=\"fusion-panel panel-default panel-627a2f3e1de149777 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_627a2f3e1de149777\"><a aria-expanded=\"false\" aria-controls=\"627a2f3e1de149777\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-5\" data-target=\"#627a2f3e1de149777\" href=\"#627a2f3e1de149777\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"627a2f3e1de149777\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_627a2f3e1de149777\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Nach der Ver\u00f6ffentlichung des ersten Erz\u00e4hlbandes von Judith Hermann Sommerhaus, sp\u00e4ter bescheinigte die Literaturkritik Hermanns Figuren Distanziertheit und Mangel an Ehrgeiz und Initiative und situierte sie in eine Berliner K\u00fcnstlerszene, die ohne gro\u00dfe Ziele und Projekte lebt und kaum von der Au\u00dfenwelt ber\u00fchrt wird. Der Beitrag stellt die These auf, dass sich diese Rezeption von Hermanns Fr\u00fchtexten im Laufe der Zeit ge\u00e4ndert hat und dass man heute ihre Erz\u00e4hlungen in einen breiteren politischen und historischen Kontext stellen kann. Vor dem Hintergrund einer fortschreitenden Globalisierung erweisen sich Hermanns Texte als eine subtile Zeitdiagnose und als Kritik negativer Globalisierungsfolgen.<\/p>\n<p><span style=\"font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing);\"><b>Schl\u00fcsselw\u00f6rter: <\/b>Distanziertheit, K\u00fcnstlerszene, Globalisierung, Kulturindustrie <\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-13 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-18 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-14\"><h3><strong><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/9.-Timofy-Havryliv-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Wien als eines der ersten Publikationsorte von Paul Celan<\/a><\/strong><\/h3>\n<p><span style=\"font-family: var(--awb-text-font-family); font-size: var(--awb-font-size); font-style: var(--awb-text-font-style); letter-spacing: var(--awb-letter-spacing); text-align: var(--awb-content-alignment); text-transform: var(--awb-text-transform);\"><b>Tymofiy Havryliv<\/b><\/span> Nationale Akademie der Wissenschaften (Ukraine)<\/p>\n<p><b>doi:<\/b> <a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.108-116\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.108-116<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-19 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-6\"><div class=\"fusion-panel panel-default panel-82a1e0eba0b0740ba fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_82a1e0eba0b0740ba\"><a aria-expanded=\"false\" aria-controls=\"82a1e0eba0b0740ba\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-6\" data-target=\"#82a1e0eba0b0740ba\" href=\"#82a1e0eba0b0740ba\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"82a1e0eba0b0740ba\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_82a1e0eba0b0740ba\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Im Mittelpunkt des Beitrags stehen die w\u00e4hrend des Wien-Aufenthalts zustande gekommenen Publikationen des aus Czernowitz in der Bukowina stammenden deutschsprachigen Lyrikers Paul Celan. \u201eWiener\u201c Publikationen werden im Kontext des Wien-Aufenthaltes des Lyrikers sowie im Kontext seines \u0152vre behandelt. Da die Zeit vor dem Wien-Aufenthalt in das Fr\u00fchwerk Celans Eingang gefunden hat, wird sie ebenfalls mitber\u00fccksichtigt. Obwohl die Wien-Zeit am Schluss der ersten Lebensperiode Celans steht, wird sie von den ihr vorausgehenden Ereignissen sowie von der kulturellen bzw. historischen Sachlage vorweggenommen und beeinflusst. Mit der Ankunft in Wien war das Dilemma der deutschen Muttersprache versus M\u00f6rdersprache ein und f\u00fcr allemal besiegelt. Die Themen der w\u00e4hrend des Wien-Aufenthalts ver\u00f6ffentlichen vor allem lyrischen Texte wurden von Celan weiterentwickelt. Die Shoah-Erfahrung, die bereits im lyrischen Fr\u00fchwerk thematisiert wird, erwirkt das radikale Umdenken der Rolle der Poesie sowie ihre formale Ausgestaltung.<\/p>\n<p><span style=\"font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing);\"><b>Schl\u00fcsselw\u00f6rter: <\/b>Shoah, Periodisierung, Fakt, Interpretation, Verdichtung des lyrischen Sprechens <\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-14 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-20 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-15\"><h3><strong><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/10.-Andreas-Chetkowsky.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Wilhelm Diltheys Hermeneutik: Identit\u00e4t und Biografie als Konstruktion<\/a><\/strong><\/h3>\n<p><b>Andreas Chetkowsky <\/b><span style=\"font-family: var(--awb-text-font-family); font-size: var(--awb-font-size); font-style: var(--awb-text-font-style); letter-spacing: var(--awb-letter-spacing); text-align: var(--awb-content-alignment); text-transform: var(--awb-text-transform);\">Sofioter Universit\u00e4t \u201eSt. Kliment Ohridski\u201c (Bulgarien)<\/span><\/p>\n<p><b>doi:<\/b><a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.117-129\"><b> <\/b>https:\/\/doi.org\/10.60055\/GerSk.2024.4.117-129<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-21 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-7\"><div class=\"fusion-panel panel-default panel-42709f3a914fe15ec fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_42709f3a914fe15ec\"><a aria-expanded=\"false\" aria-controls=\"42709f3a914fe15ec\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-7\" data-target=\"#42709f3a914fe15ec\" href=\"#42709f3a914fe15ec\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"42709f3a914fe15ec\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_42709f3a914fe15ec\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Seine eigene Lebensgeschichte auf Basis seiner Erinnerungen zu verfassen birgt die Gefahr der Verf\u00e4lschung aufgrund des unzuverl\u00e4ssigen Ged\u00e4chtnisses. Beim hermeneutischen Konzept von Wilhelm Dilthey und seiner lebensgeschichtlichen Ganzheitsvorstellung spielt die Erinnerung eine entscheidende Rolle. F\u00fcr Wilhelm Dilthey ist die Gattung Autobiographie am besten geeignet, um seine geisteswissenschaftliche Methode des Verstehens anzuwenden. Im Kontext des Subjektivit\u00e4tsdiskurses der siebziger Jahre und der psychoanalytischen Erkenntnisse riefen vielen Schriftstellern Zweifel in Bezug auf den Wahrheitsgehalt einer hermeneutischen Darstellung des erinnerten Lebens hervor. Am Beispiel von Elias Canettis autobiographischen Schrift wird gezeigt, dass er psychoanalytischen Theorien zum Trotz dem hermeneutischen Ansatz folgt, indem er an Diltheys lebensgeschichtlich-biographischen Ganzheitsvorstellung festh\u00e4lt. Seine \u00dcberzeugung von einer ungebrochenen Erinnerung erm\u00f6glicht es ihm, seine Identit\u00e4t als Autor in der Autobiographie zum Ausdruck zu bringen.<\/p>\n<p><span style=\"font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing);\"><b>Schl\u00fcsselw\u00f6rter: <\/b>Hermeneutik, Autobiographie, Geisteswissenschaften, Lebenszusammenhang, Erinnerungen<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-15 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-22 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-16\"><h3><strong><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/11.-Elizaria-Ruskova-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">H. C. Andersens M\u00e4rchen als eine der m\u00f6glichen Quellen in der Genesis der \u201eTraumst\u00fccke\u201c von August Strindberg<\/a> <\/strong>(auf Bulgarisch)<\/h3>\n<p><b>Elizaria Ruskova <\/b>Theatercollege \u201eLyuben Grois\u201c (Bulgarien)<\/p>\n<p><b>doi: <\/b><a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.130-144\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.130-144<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-23 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-8\"><div class=\"fusion-panel panel-default panel-2fd49e6aa5c5ea945 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_2fd49e6aa5c5ea945\"><a aria-expanded=\"false\" aria-controls=\"2fd49e6aa5c5ea945\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-8\" data-target=\"#2fd49e6aa5c5ea945\" href=\"#2fd49e6aa5c5ea945\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"2fd49e6aa5c5ea945\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_2fd49e6aa5c5ea945\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>The article compares Strindberg\u2019s \u201cA Dream Play\u201d with two tales by H. C. Andersen \u2013 \u201cThe Galoshes of Fortune\u201d and \u201cThe Nightcap of the Pebersvend\u201d \u2013 focusing on the concepts of space-time and the function of the stage or narrative object. Central to the analysis is the category of the \u201cuncanny\u201d, defined by Tsvetan Todorov as \u201cexperience of the borders\u201d. The emphasis on spatial motifs and their dynamics creates the effect of \u201cthe uncanny\u201d, which becomes an aesthetic category connecting Andersen\u2019s Romanticism with Strindberg&#8217;s Modernism.<\/p>\n<p><b>Schl\u00fcsselw\u00f6rter: <\/b>the \u201cuncanny\u201d, Andersen, Strindberg, the functions of a narrative\/stage object<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-16 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-24 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-17\"><h2>KULTURWISSENSCHAFTEN UND LANDESKUNDE<\/h2>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-17 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-25 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-18\"><h3><b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/12\/12.-Iliya-Gramatikov.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Die Namenskodierung mit den Buchstabenentsprechungen der T\u00f6nen in der deutschen Musiktradition. B-A-C-H als Idee, Ideal und Ideologie<\/a> <\/b>(auf Bulgarisch)<\/h3>\n<p><b>Iliya Gramatikov <\/b>Nationale Musikakademie \u201eProf. Pancho Vladigerov\u201c (Bulgarien)<\/p>\n<p><b>doi:<\/b> <a href=\"https:\/\/doi.org\/10.60055\/GerSk.2024.4.146-169\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/doi.org\/10.60055\/GerSk.2024.4.146-169<\/a><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-26 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-9\"><div class=\"fusion-panel panel-default panel-546c64185a83d64b0 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_546c64185a83d64b0\"><a aria-expanded=\"false\" aria-controls=\"546c64185a83d64b0\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-9\" data-target=\"#546c64185a83d64b0\" href=\"#546c64185a83d64b0\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"546c64185a83d64b0\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_546c64185a83d64b0\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>\u0422he present study examines several compositions representative of the German musical tradition, wherein the basic musical material has been derived through the cryptographic procedure of encoding names with the letter designations of the pitches (i.e. letter notation). Three main thematic lines are highlighted in the research: the possible meanings embedded in the works by means of the applied cryptographic compositional approach; the tradition among German composers of inlaying tone monograms in their works of significance; the application of musical cryptographic procedures as a strategy of artistic legitimation. The starting point of the analysis is the idea of Bach\u2019s personality and music as an enduring ideal that remains relevant \u2013 a foundation of a creative ideology that evolves over time.<\/p>\n<p><b>Schl\u00fcsselw\u00f6rter: <\/b>musical cryptography, composers\u2019 monograms, Johann Sebastian Bach, Robert Schumann, Arnold Sch\u00f6nberg<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-18 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-27 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-19\"><h2>\u00dcBERSETZUNGEN VON LYRIK UND PROSA<\/h2>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-19 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-28 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-20\"><h3><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/13.-Izbrani-stihotvorenia.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Ausgew\u00e4hlte Gedichte, \u00fcbersetzt aus dem D\u00e4nischen und Norwegischen <\/b><\/a><\/h3>\n<p><b>Mihail Baykov<\/b><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-29 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-10\"><div class=\"fusion-panel panel-default panel-4d84692d096d6c497 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_4d84692d096d6c497\"><a aria-expanded=\"false\" aria-controls=\"4d84692d096d6c497\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-10\" data-target=\"#4d84692d096d6c497\" href=\"#4d84692d096d6c497\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"4d84692d096d6c497\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_4d84692d096d6c497\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Die hier ausgew\u00e4hlten Gedichte stellen dem bulgarischen Lesepublikum sowohl bekannte als auch weniger bekannte Vertreter der zeitgen\u00f6ssischen norwegischen und d\u00e4nischen Dichtkunst vor.&nbsp;<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-20 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-30 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-21\"><h3><b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/14.-Stihotvorenia-.pdf\"><span style=\"font-size: 16px;\" data-fusion-font=\"true\">G<span style=\"font-size: 18px;\" data-fusion-font=\"true\">edichte aus dem \u00dcbersetzungswettbewerb f\u00fcr Poesie ins Bulgarische <\/span><\/span><span style=\"font-family: var(--h3_typography-font-family); font-size: 18px; font-style: var(--h3_typography-font-style,normal); letter-spacing: var(--h3_typography-letter-spacing); text-transform: var(--h3_typography-text-transform); text-align: var(--awb-content-alignment);\" data-fusion-font=\"true\">\u201eDie Welt ist in uns mittels der Sprache und der Schrift\u201c<\/span><\/a><\/b><\/h3>\n<p><b>Radost Yovkova, Ivaylo Aleksandrov, Yoan-Konstantin Velkov <\/b><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-31 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-11\"><div class=\"fusion-panel panel-default panel-5cae9d1f2402f96b7 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_5cae9d1f2402f96b7\"><a aria-expanded=\"false\" aria-controls=\"5cae9d1f2402f96b7\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-11\" data-target=\"#5cae9d1f2402f96b7\" href=\"#5cae9d1f2402f96b7\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"5cae9d1f2402f96b7\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_5cae9d1f2402f96b7\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Anl\u00e4sslich des Tages der bulgarischen Sprache und Kultur am 24. Mai und im Rahmen der \u201eSt.-Kliment-Tage\u201c organisierte die Fakult\u00e4t f\u00fcr Klassische und Moderne Sprachen der Universit\u00e4t Sofia einen Wettbewerb zur \u00dcbersetzung von Poesie aus einer Fremdsprache ins Bulgarische unter dem Titel \u201eDie Welt ist in uns mittels der Sprache und der Schrift.\u201c<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-21 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-32 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-22\"><h3><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/15.-Knut-Hamsun-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><b>\u00dcbersetzungen aus Knut Hamsuns Sp\u00e4twerk <\/b><\/a><\/h3>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-33 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-12\"><div class=\"fusion-panel panel-default panel-7c9827a3e6f6a3e72 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_7c9827a3e6f6a3e72\"><a aria-expanded=\"false\" aria-controls=\"7c9827a3e6f6a3e72\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-12\" data-target=\"#7c9827a3e6f6a3e72\" href=\"#7c9827a3e6f6a3e72\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"7c9827a3e6f6a3e72\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_7c9827a3e6f6a3e72\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Die \u00dcbersetzungen wurden von Drittsemesterstudierenden des Studiengangs Skandinavistik erstellt, die ein besonderes Interesse an skandinavischen Literaturen, dem Gesamtwerk von Knut Hamsun und anderen skandinavischen Autoren zeigen.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-22 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-34 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-23\"><h2>IN WETTBEWERBEN AUSGEZEICHNETE \u00dcBERSETZUNGEN<\/h2>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-23 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-35 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-24\"><h3><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/16.-Parashkevov-3.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Ausgezeichnete \u00dcbersetzungen aus dem Deutschen im \u00dcbersetzungswettbewerb zu Ehren von Prof. Boris Parashkevov<\/b><\/a><\/h3>\n<div>\n<p><b>Nia Spasova, Veronika Delcheva<\/b><\/p>\n<\/div>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-36 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-13\"><div class=\"fusion-panel panel-default panel-b6420f0004459cb5b fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_b6420f0004459cb5b\"><a aria-expanded=\"false\" aria-controls=\"b6420f0004459cb5b\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-13\" data-target=\"#b6420f0004459cb5b\" href=\"#b6420f0004459cb5b\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"b6420f0004459cb5b\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_b6420f0004459cb5b\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>In der dritten Ausgabe des Studentenwettbewerbs f\u00fcr \u00dcbersetzungen aus dem Deutschen hatten die Teilnehmer die M\u00f6glichkeit, wahlweise an einem Auszug aus dem neuesten Roman des zeitgen\u00f6ssischen deutschen Schriftstellers Jan Peter Bremer <em>Nachhausekommen<\/em> (Berlin\/M\u00fcnchen: Berlin Verlag, 2023) oder an einem Passus aus der Monographie von Juliane Rebentisch <em>Der Streit um Pluralit\u00e4t. Auseinandersetzungen mit Hannah Arendt<\/em> (Berlin: Suhrkamp, 2022) zu arbeiten, die der politischen Philosophie des Pluralismus von Hannah Arendt gewidmet ist.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-24 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-37 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-25\"><h3><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/17.-Vera-Gancheva.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><b style=\"font-size: 18px;\" data-fusion-font=\"true\">\u00dcbersetzungswettbewerb aus den skandinavischen Sprachen zu Ehren von Prof. Dr. Vera Gancheva<\/b><br \/>\n<\/a><\/h3>\n<p><b>Nikol Stamenova, Gergana Vaseva, Radost Yovkova, Lora Angelova, Nia Spasova, Tsvetina Kirilova<\/b><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-38 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-14\"><div class=\"fusion-panel panel-default panel-0496d595ef0885e82 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_0496d595ef0885e82\"><a aria-expanded=\"false\" aria-controls=\"0496d595ef0885e82\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-14\" data-target=\"#0496d595ef0885e82\" href=\"#0496d595ef0885e82\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"0496d595ef0885e82\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_0496d595ef0885e82\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Anfang 2024 veranstaltete das Skandinavistik-Programm des Lehrstuhls f\u00fcr Germanistik und Skandinavistik an der Universit\u00e4t Sofia St. Kliment Ohridski die dritte Ausgabe des \u00dcbersetzungswettbewerbs f\u00fcr literarische Prosa und Poesie f\u00fcr Studierende und Sch\u00fcler, die skandinavische Sprachen lernen. Der Wettbewerb ist dem Andenken an Prof. Vera Gantschewa gewidmet, einer herausragenden Skandinavistin, \u00dcbersetzerin, Lehrerin, Verlegerin und Wissenschaftlerin. Insgesamt nahmen 21 Teilnehmer an der dritten Ausgabe teil und reichten insgesamt 31 \u00dcbersetzungen ein.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-25 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-39 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-26\"><p><b style=\"font-size: 18px;\" data-fusion-font=\"true\"><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/18.-Datsko-essay-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Essay-Wettbewerb auf D\u00e4nisch<\/a><\/b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/11\/17.-Vera-Gancheva.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/>\n<\/a><\/p>\n<p><b>Joan Ivanov, Gergana Vaseva, Aglaja Bineva<\/b><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-40 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-15\"><div class=\"fusion-panel panel-default panel-536e1385f22d80eaa fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_536e1385f22d80eaa\"><a aria-expanded=\"false\" aria-controls=\"536e1385f22d80eaa\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-15\" data-target=\"#536e1385f22d80eaa\" href=\"#536e1385f22d80eaa\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"536e1385f22d80eaa\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_536e1385f22d80eaa\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Seit 2015 organisiert das Hans-Christian-Andersen-Forschungs- und Informationszentrum der Universit\u00e4t Sofia St. Kliment Ohridski in Zusammenarbeit mit der Botschaft von D\u00e4nemark in Sofia und der d\u00e4nischen Kultur- und Palastbeh\u00f6rde (<em>Slots- og Kulturstyrelsen<\/em>) den j\u00e4hrlichen Aufsatzwettbewerb f\u00fcr die d\u00e4nische Sprache.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-26 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-41 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-27\"><h2>STUDIERENDENPROJEKTE<\/h2>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-27 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-42 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-28\"><h3><b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/12\/20.-Dyballa-und-Studenten-Felix.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Felix Lobrechts Roman \u201eSonne und Beton\u201c im Kontext von Deutsch als Fremdsprache<\/a><\/b><\/h3>\n<p><b>Angel Boyanov, Jacqueline Dyballa, Maria Nikolaeva, Ivan Stoyanov<\/b><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-43 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-16\"><div class=\"fusion-panel panel-default panel-549caf2a88c363cdf fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_549caf2a88c363cdf\"><a aria-expanded=\"false\" aria-controls=\"549caf2a88c363cdf\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-16\" data-target=\"#549caf2a88c363cdf\" href=\"#549caf2a88c363cdf\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"549caf2a88c363cdf\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_549caf2a88c363cdf\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>In diesem Beitrag werden die Ergebnisse der Buchbesprechung des Romans \u201eSonne und Beton\u201c von Felix Lobrecht festgehalten. Neben einen kurzen Autorenprofil werden die vier Hauptcharaktere unter die Lupe genommen und miteinander verglichen. Zudem wird die Sprache des Romans, der durch die Jugendsprache und den Berliner Dialekt gepr\u00e4gt ist, analysiert. Zum Abschluss wird auf die Gropiusstadt, in der der Roman spielt, eingegangen und welche Rolle der Ort nicht nur im Roman Sonne und Beton spielt, sondern auch in dem Roman \u201eWir Kinder vom Bahnhof Zoo\u201c von Christiane F..<\/p>\n<p><strong>Schl\u00fcsselw\u00f6rter:<\/strong> Gegenwartsliteratur, Jugendsprache, Dialekt<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-28 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-44 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-29\"><h3><b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/12\/21.-Viktoria-Atanasova.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Meine erste Forschungserfahrung<\/a><\/b><\/h3>\n<p><b>Viktoria Atanasova<\/b><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-45 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-17\"><div class=\"fusion-panel panel-default panel-1e6ba77160ecdd63f fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_1e6ba77160ecdd63f\"><a aria-expanded=\"false\" aria-controls=\"1e6ba77160ecdd63f\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-17\" data-target=\"#1e6ba77160ecdd63f\" href=\"#1e6ba77160ecdd63f\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"1e6ba77160ecdd63f\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_1e6ba77160ecdd63f\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Gegenstand unserer Untersuchung war die Phrasemkonstruktion [<em>von A (N1) so viel verstehen wie X von Y (N2)<\/em>]. Verfestigte Realisierungen dieser Konstruktion sind z.B. <em>von A so viel verstehen wie der Hahn vom Eierlegen\/ wie die Kuh vom Radfahren\/ wie die Kuh vom Sonntag\/ wie die Kuh vom Schachspielen<\/em>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-29 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-46 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-30\"><h2>REZENSIONEN<\/h2>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-30 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-47 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-31\"><h3><b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/12\/22.-Rezension-Sammelband.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Radoslava Minkova, Diana Stantcheva, Ewa Wojno-Owczarska, Alexandra Preitschopf, Stanislava Ilieva (Hrsg.): \u201eWendezeiten: Erfahrungen \u2013 Ewartungen \u2013 Erz\u00e4hlugen\u201c. Plovdiv: Universitetsko izdatelstvo \u201ePaisii Hilendarski\u201c 2023, 353 S.<\/a><\/b><\/h3>\n<p><b style=\"text-align: var(--awb-content-alignment);\"><span style=\"color: var(--awb-text-color); font-style: var(--awb-text-font-style); letter-spacing: var(--awb-letter-spacing); text-transform: var(--awb-text-transform);\"><span style=\"font-family: var(--awb-text-font-family);\">Marie-Christin Lercher, Annegret Middeke<\/span><\/span><\/b><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-48 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:16px;--awb-content-font-size:14px;--awb-icon-alignment:right;--awb-hover-color:#f9f9fb;--awb-border-color:#e2e2e2;--awb-background-color:#ffffff;--awb-divider-color:#e2e2e2;--awb-divider-hover-color:#e2e2e2;--awb-icon-color:#22295b;--awb-title-color:#03a9f4;--awb-content-color:#333333;--awb-icon-box-color:#212934;--awb-toggle-hover-accent-color:#171e3e;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:regular;\"><div class=\"panel-group fusion-toggle-icon-right fusion-toggle-icon-unboxed\" id=\"accordion-11408-18\"><div class=\"fusion-panel panel-default panel-fb327b36a50b1734a fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:#03a9f4;\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_fb327b36a50b1734a\"><a aria-expanded=\"false\" aria-controls=\"fb327b36a50b1734a\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-11408-18\" data-target=\"#fb327b36a50b1734a\" href=\"#fb327b36a50b1734a\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Abstract<\/span><\/a><\/h4><\/div><div id=\"fb327b36a50b1734a\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_fb327b36a50b1734a\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Der Sammelband \u201eWENDEZEITEN: Erfahrungen \u2013 Erwartungen \u2013 Erz\u00e4hlungen\u201c vereint wissenschaftliche Beitr\u00e4ge, die im Rahmen der 7. Internationalen Konferenz des Bulgarischen Germanistenverbandes (BGV) pr\u00e4sentiert und diskutiert wurden. Ein zentraler Anlass der Konferenz war unter anderem das Ende der langen, durch die Covid-19-Pandemie bedingten Online-Phase, die sowohl Tagungen als auch den Unterricht an Schulen und Universit\u00e4ten stark beeinflusst hatte.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-31 fusion-flex-container spisanie-statia nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-bottom:30px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-end fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-49 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-32\"><h3><b><a href=\"http:\/\/journalgermscand.fcml.uni-sofia.bg\/wp-content\/uploads\/2024\/12\/24.-Editorial-policy.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Redaktionspolitik der Zeitschrift \u201eGermanistik und Skandinavistik\u201c<\/a><\/b><strong> <\/strong>(auf Englisch)<\/h3>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11408","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/wp-json\/wp\/v2\/pages\/11408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/wp-json\/wp\/v2\/comments?post=11408"}],"version-history":[{"count":116,"href":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/wp-json\/wp\/v2\/pages\/11408\/revisions"}],"predecessor-version":[{"id":13257,"href":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/wp-json\/wp\/v2\/pages\/11408\/revisions\/13257"}],"wp:attachment":[{"href":"https:\/\/journalgermscand.fcml.uni-sofia.bg\/de\/wp-json\/wp\/v2\/media?parent=11408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}